At
long last, my book A Million Miles from
Broadway has been reviewed in the current issue of Studies in Musical Theatre. The reviewer is Ji Hong Yu of City University of New York Graduate
Centre. I should begin by saying that
she takes some issue with the fact that it was not written in a “scholarly”
style, a criticism that I must say I wear as a badge of honour. However, the overall tone is positive: “As the first of its kind to compile the accounts
of the recent developments in musical theatre across time and place, his book
is particularly timely as there is a growing interest by scholars, producers
and journalists in the transnational circulation, production and popularity of
musical theatre, both of
English-speaking musicals and non-English-speaking musicals... He writes
in the first-person, and uses a number of his personal experiences and
interviews as examples, which makes the chapters seem less scholarly, and more
like a series of on-line blog postings written by well-informed industry
personnel... His book can still serve as a valuable resource for those who are
entering the field of international musical theatre, given the scarcity of
resources on musical theatre outside New York and London that are accessible to
an English-speaking readership. Perhaps
the greatest value that I find in Atkey’s book is that it... questions the
widely accepted western-centric definition of musical theatre, and challenges
scholars to find a way to discuss musicals that are more layered in their
origins and influences... Atkey’s book can definitely be a springboard for
further research in this area.”
Mel
Atkey
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